
OUR HISTORY, OUR VOICES PROJECT
The Elizabeth Molter Exhibit
About Her Exhibit…
I create signs for all my friends and family and sometimes even for myself! I created this sign because my mom used to sing this song to me ever since I was a little girl!
The unique thing about this sign is the “I love you -mom” was taken from a birthday card I got from my mom and I used her exact handwriting from that card and blew it up to put on this sign. Now it is the most special and valuable thing I have hanging in my home today.
My mom has always been my inspiration my entire life. She has always been there with me through tough times and even when I had health problems she never left my side for a single minute, not to even get a bite to eat.
When I found myself doodling one day writing calligraphy she, along with others, inspired me to start this business and make some money from my passion and talent.
Now, years later I’m so grateful for all the women that inspired me to start this little business and keep my creativity alive, especially my mom (AKA my best friend)!

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Connect with Elizabeth Molter »
Instagram: @Signs.SuchbyLiz | Facebook: Signs and Such by Liz
More Exhibits
The Anna Montgomery Exhibit
I am inspired by everyday things, creative design, books, music, movies, growing things, and–most of all–people. People I know, people who lived long ago, and the people who now live only in my imagination, such as my grandparents or people I meet in books.
The Shay Coope Exhibit
I'm Shay Coope, shop owner of P.S. With Lovee. I am a Licensed Master Social Worker, mother to a beautiful little girl, wife to an amazing husband, and lover of all things colorful! To me, being a woman means being a complete badass! We are strong, nurturing, amazing multitaskers, and true advocates of what we believe in.
The Mera Ragsdale Exhibit
My paintings question the way we look at feminine bodies especially in comparison to how masculine bodies are viewed. In art history, the objectification and presentation of female bodies and an accepted way to present and view them has long been prevalent, specifically as non-threatening objects of sexual desire. My work questions these long accepted practices and empowers my subjects to visually challenge the viewer.