
OUR HISTORY, OUR VOICES PROJECT
The Katrina Julianne Scott Exhibit
About Her Exhibit…
I was taught from a young age that women were meant to be quiet and pleasant, never loud or angry. When I reached college, I encountered men who took advantage of that mindset and of my naivety. I soon found other women who shared those experiences, and felt a similar sense of frustration towards the narrative expected of women.
As I explored that frustration, I realized that many women were never taught how to express anger, only mild frustration. In this project, I wanted to explore the nature of women’s anger.
For many of us, it starts out timid and fearful, like the hare. That timidity bleeds into a feeling of uncertainty, like the alligator eyeing its attacker. Uncertainty makes way for fury as instincts kick in, just like the wolf lashing out in self-defense. Finally, a sense of calm washes back over, as the snake sheds her skin.
These paintings are a part of a series I completed last year as a URECA creative project grant through my school, MTSU. The project is now a part of my Honors senior thesis exhibition that I am presenting this semester in preparation to graduate!
My project was recently featured in the MTSU research magazine, and you can read all about it here:
Thank you for reading.

Click to view images at larger scale.
Connect with Katrina »
Instagram: @KatrinaJulianne | Website: Katrina Scott
More Exhibits
The Susan Verekar Exhibit
I love everything to do with color. My art often embraces raw emotion, transformation, coming into one’s power, and a balance between light and dark. I paint with acrylics and oils and play with alcohol inks. I started painting a year ago as I was struggling to find my identity after becoming a mom. It started as a creative outlet but become a way to find myself again.
The Mera Ragsdale Exhibit
My paintings question the way we look at feminine bodies especially in comparison to how masculine bodies are viewed. In art history, the objectification and presentation of female bodies and an accepted way to present and view them has long been prevalent, specifically as non-threatening objects of sexual desire. My work questions these long accepted practices and empowers my subjects to visually challenge the viewer.
The Angelique Adams Exhibit
I am an engineer with over 25 years of experience in manufacturing, operations, strategy, and innovation most recently serving as the Chief Innovation Officer at Aperam, a multi-billion/yr global manufacturer of stainless steel and specialty alloys. I went from being laughed at when I told professors I wanted to pursue a Ph.D., to leading hundreds of scientists around the world.





